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extracts from "Going soft on Savile
Row "
It has been passed down from generation
to generation, a tradition once on the brink of extinction,
struggling for survival. Sons would follow in their fathers'
footsteps, forgoing the usual carefree living of childhood
to begin an apprenticeship that would last nearly a decade,
and then only if the pupil showed exceptional aptitude. The
world's wealthy and important would crave the results, often
only to be turned away.
The ancient medicinal skill of some South
American tribe? The tantric outpourings of some cult? Not
quite. This is the lost art of soft tailoring, the technique
employed in making a more comfortable, more flexible, fitted
suit for a comfort-driven age. A dominant trend of Savile
Row tailoring in the 30s, subsequently lost to the whims of
fashion, it is now set to rediscover a broad appeal, giving
this anonymous-looking London street an altogether new dimension.
Take Steven Hitchcock. Now 24, the youngest
independent tailor at his world-class level, Hitchcock has
been trained in the arts of soft tailoring since he was 16,
working alongside his father, a jacket-cutter and director
at Savile Row tailor Anderson & Sheppard.
Anderson, where soft tailoring is the house
style, has been the technique's only real home over the past
50 years. It was there that Hitchcock acquired his soft-tailoring
skills, like a young Luke Skywalker sitting at the feet of
a Jedi master, and it was there, in recognition of his initiation
into a semi-secret art, that he was meant to stay. But Hitchcock
broke the golden rule and left to set up on his own.
"Soft tailoring has practically been kept
a secret for half a century," he says, "The culture at Anderson
was to keep it under wraps. Some tailors are reluctant to
pass their skills on to apprentices, and you can't learn [it]
anywhere else.
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